Friday, October 14, 2011

DOMINICA MAN


Dominica Man.
21 September 2011

Dominica is a coastline of history winding it’s way around volcanic rock, etching into their faces an historical language of muscles that’s found in the land, in the valleys that reaches deep into the earth, bring up a hard sweetness. Then there is the heights opening memory and nature water life at every winding curve, so man curves, oh so many curves, time expands, distances become relative to the journey.
There is a momentum from a rhythm of the Kalinago, buried deep in the soil, but lies at the heart of me, I felt, ancestral footsteps of survival, the persistent other, they will inspire others to rebel against the rein of tyranny,
But alas that tyranny stalks the land, haunting the air waves, the political speak, the tongues tells a story of betrayal, division and sharing of the spoils, booty, builds small palaces, buys wine and small jet planes fly in and out couriers of Chinese, Venezuelan bags with certain secrets.
“The people are illiterate in the Caribbean, it is no difference here”
The momentum of people continues by a people filled with the ingenuity of their land of their ancestors, pounding the nails of literacy from the podium of intellectual festivity, from the blood of the farm land, erecting another story that will retell in fullness, betrayal.
I listened to a man read from paper an islands story, he foot erect in wood, she belly swell in the ripeness of dat is she tongue, De city slept as we walked along her streets  to see she voice, along de wall a man looked into he pockets for another something that he didn’t have, dat is she tongue in de smallness of pain, it is she brother, she family, he was still reading from he paper, puling at it, tearing at the seams , words slapped we in de face, buh yuh good still walk along de sea side, she belly safe…..for the time,
I was in de the city in ah little sweet room dat had bars, dis was not Cottage, where we left our doors open to welcome de breezes, we sat dey naked, talked to the moon, played with the sun, eat along side the ants, as the Cabrits made a speech of history as the buds and de critters laughed at her, here there is simpleness, folks waving hands and smiling, here is stories, plenty stories as we buss up ah meal of fish and provision, fruit, plantain,
Dey is politics here, hard like dat, it in de belly of de country in de land of the Kalinago, in Roseau belly in hear de man talk about it in de restaurant, ah Minister story, one dat ah hear in Trinidad and Tobago, Barbados, Jamaica, Guyana,
De man tell meh of de call he get, a call dat almost wipe out chickens in this wondrous,
Ah almost cuss de man, he hold he tongue.
“De Caribbean is ah illiterate people” de man tell meh as he point he finger at the KFC and de supermarket dey put up dat selling all dem import food,
“Caribbean people is ah foolish people”
“Buh we hav tings man!, we hav tings!” pointing to de mountains, where the body can immerse in sulphur, built out of bamboo and han in ah small village by dis ital man Screws,
“People are doing it on their own” he mentioned as we slipped into the hot sulphur.
Screws, in dat little talk did it by hand, dey, all did it by hand in the village here. Design as a functional tool of pure understanding of a necessary need, living in the moment of raw material presence, it becomes what it needs to become, nature dictates such a pace. Brothers and sisters, girlfriends, wife’s, husbands, common law partners. To me ah felt that vibe of family here for a moment. Capital family, architecture forming a capital intention- art-design, crafting a moment for a sustainable moment,
I looked back to say something and the moment was gone, we have already entered and left that village to enter another village, all with a fierce independence and identity,
“They all want their own village council”,
“10 people live dey, yes!”,
An activist story,
“women owned their own bakery making mastiff bread and doing well, the activist asked what did you eat before this?, she asked the women, provision, was the response, know you eat bread, this project wasn’t well thought out”
These women ended up there as a response to not being paid by their husbands when they worked in the field with them. So a project was set up to give them financial independence. Eventually changing their indigenous diet and creating a dependence on imported goods.
A Caribbean Tale.








It was blue man,
blue.







THE CABRITS.
From Cottage, over the balcony I could have looked into history.
Feeling that calmness of how it can settle,
the man can mess with it that still leaves so much to be admired.
The Cabrits, were separated from the island, it was filled in,
making it part of the island.


THE CHINESE IS HERE









TSTT BMOBILE

Caribbean corporate integration?





We walked silently through the corridors
looking for someone to talk to.
Silently we left.







A CITY, IS A CITY, IS A CITY

It does not matter where you stand.
The city Copacabana, New York, Cape Town, Port of Spain.
It feels the same man, it where the energy sits.

TRAFFIC,
SEX,
DRUGS,
ROCK AND ROLL










oh so quite and sweet to be there.





THE CITY

Roseau.










CONCRETE IS PART OF THE ROAD WORK.











THE CABRITS













AT THE LITERARY FESTIVAL

There stood a proud craft woman,
plying her art work,
simple proud,
she tells.









AT THE MUSEUM






SUSTAINABLE DEVELOPMENT

Jungle Bay,
This story is an interesting story of community,
restructuring and development,
that went against the grain and reawaken in them,
something that was dormant,
merchants were developed,
went onto to become suppliers to other
businesses in the community and city.







FISHING BOATS










GOVERNMENT BUILDING





IT IS THERE THAT THE PEOPLE GO TO
MAKE A DOLLAR,
TO RETURN HOME TO BUILD THEIR
HOMES.



THE FORT AT THE CABRITS














THE HOMES


THE HOMES ARE BUILT IN THREE LEVELS


THE HOUSES STAND WAITING TO BE BUILT,
STICKING STEEL,
RUST IN THE SALTY SEA BREEZE,
LIFE MOMENTUM,
NEVER STOPS HERE,
BUT YOU CAN FEEL AND SEE THE MOVEMENT.




IT IS STILL BUILT BY HANDS,
THERE HANDS,
BROTHER,
SITERS,
ETCHED INTO THEM,
IMAGINATION OF THEIR OWN INTENTION,
WOOD CAN SPEAK, WHITTLED INTO ARCHITECTURE.











MASTIFF BREAD.

THE STORY HERE IS AN INTERESTING ONE.


THE MODULAR HOME VIA VENEZUELA

DEY HERE TO!






THE SHACK

This is we thing,
this is modular,
yuh cah build a shack faster than a squatter.



NEW DEVELOPMENT

Off Shore University is here,
St Lucia,
Grenada,
Trinidad and Tobago.

Whats up with dat.








THE MODULAR SHACK














THE SULPHUR SPRINGS

Here I sit in a pond swirling around me,
warm water,
re-energizing bone,
muscles,
built by dis rasta man, hand,
ah tell yuh dey,
build dey own ting,
here.

Dat sweeeet











ONE STORY A MAN TOLD ME THAT HIS THREE STORY HOUSE TOOK 9 MONTHS, HE VEX, IT WAS SUPPOSE TO BE 6.

CAN WE , SAY DAT SA!

Tuesday, September 20, 2011

16-6-2011, ANAMARIA WILLIS OF CIDA, TALKS

DEVELOPMENT FUNDS AND THE FRACTURED VILLAGE, 
a ROSE, a COUNCIL, a PROPOSAL......
www.cdf.gov.tt

CIDA-  The Creativity and Innovation Company
The Media Centre,
Huddersfield
HD1 1RL
UK
Tel: +44(0)1-484-4831-40
Email: anamaria@cida.org
www.cida.org


Anamaria came through on the invitation of the Service Industries and The Trinidad and Tobago Entertainment Ltd.

On this day she spoke about the artist, the business of art and the marketing of that art. The Cultural Product as an economic and viable entity.

Below are some excerpts from my note pad.

Mentor- Someone to sit and talk. have dat!- 60% chance to succeed when one has a mentor.

Collaboration-Corporation. Groups acts as transformers in communities.

"There is a commonality between the global artists-
in their experience, than with their own
other business practitioners."


The Bullshit Story-
Stereotypes of the artists.

Artists are flaky, not interested in profits, rely on subsidy, do the popular easy stuff to get the proper job. These we have heard and she says to who says those things, speak to the hand.

  • Artists in reality get by with improvisational entrepreneurship, by the seat of their pants, and well designed pants to.
  • More practical, right brain and liberal thinkers than many of their peers.
  • As such the creative industry is driven by work. By small groups, which a limited and will need to grow at some point- there fore collaboration is an important tool for the artists.
  • Artist do not conform to traditional industry definitions.
  • Rarely driven by the market- thus develops new markets. But in the instinct of survival there may be the need to develop brad on butter products.

Therefore the artists must activate for legislation that will protect their assets. As governments will usually legislate for the larger IP companies.

Which in reality they rely on the smaller artist to develop their formats.

The Diet of the Artists as Creative Entrepreneurs.

 No Loans!
Protect Integrity.
Retain Control.
Take Unintelligible Risk.
Ignorant of the rules of Business.
Will Improvise.
Tend to go for local markets.
Fear of strategic planning.
Weakness in making connections.
Difficulty in accessing finance, our role in letting the business community understand!



INTEGRITY- Clear sense of value and benefits underpinning creative and business decisions particularly in difficult or challenging circumstances.


THINGS TO DO.

Put aside thinking time. fresh approaches, crazy ideas, jam the sessions

Strategic Thinking- Long term planning, think it through, complications, implications, taxes, laws, thecnology etc.

Laws- think about it, know it, read it, challenge it.

Commercial- keep up to date.

Make things happen- collaborate.

Persistence- hope it, believe it, work it,


"there is no such thing as failure, only feedback"


Customer Sensitivity,
Build trust,
Generates expectation- expectations hold existing customers relations as valuable.

You got to build your audience - the warmness of the brand- community work etc.


NET-WORKING-

Is the key to business activity.
Find business net works.
Look for people who are not you- that will add to that wider dimension of who you're.
Build relationships, let them talk, open up.
Informal dinners, business cards, the idea of market is as wild as you make it.

LEADERSHIP

"Create common purpose through shared vision"


CONTINUOUS INNOVATION.


"Creativity is the development of new ideas- innovation is the of these ideas"



THE ECONOMICS
NO YOUR FIGURES.  CONTROL YOUR FIGURES.


CO-STAR.

C - Who is the customer and the unmet need.
O - What is full potential of the opportunity.
_

S - What is your solution for capitalizing the opportunity.
T - Who needs to be on the team to ensure success.
A - What is your creative advantage over alternatives.
R - What results  will be achieved from your solutions.  


FEED BACK. THE WATERING HOLE.

Get some friends, a wide circle of professions, about 25. Present the proposal, which should be at least 5-10 minutes long.

THE ELEVATOR PITCH.

This should be a 3 minute version of the 5-10 minute.

This will be used when yuh in the cocktail party and yuh bounce up, that investor, dat politician (yuh know we like to brown nose it out here) and you want to get your story across.

The ENd.


THERE IS A PART II TO THE STORY.

THE COMMUNITY AND DEVELOPMENT FUND STORY


This story enfolds in Aripo with a presentation from the Community and Development Fund

Aripo Community Centre,
Heights of Aripo Village.
Wednesday 24 August 2011
10a.m-5p.m



The fractured ness of a people wanting to move further than they are. Here in the heights of the Northern Range, village Councils and NGOs, community groups presented their ideas for development funds that can be obtained from the CDF, they where wonderful ideas from minds of care.





My concern came when I noticed at the corner of my eye a gang of people who were controlling the presentation from certain village councils, dictating the pace. It was enough for me to question the idea of development in the small spaces as these development policy meeting and funds have been passing out  and around for years.

Where is it at man - there is another story. those gangs control the funds, where does it go, it's elemental dear Watson. 



Pockets are deep and wide out here in the wide eye beauty of the spirits, where poems are written and men and woman make love hard in the springs of mountain water.

But it here, close to the clouds that men die, bodies dumped and cultural drive bys happen.
Big pockets, Big deals leaving the house unfinished, rusted and busted.






These people are know they, legal thugs, legal gangs. It sad that this state of emergency aint busting this racket. The Minister, Hon Nizam Baksh, came later that afternoon.

Hon. Roger Smauel was there.
Ms Khadijah Ameen was there.

Perm Sec and all, this thing was large.

FUNDS CAN GO UP TO 1 MILLION, dig.












Master Artist Leroy Clarke,
made a plea, to that story, of all that glitters is not gold,
he pleaded that the people check the division.

There are almost 7 groups in Aripo for a membership of 500 people, all asking for the same things.

Something that didn't pass the observation of the Community and Development representatives. Who mentioned their observations to the people presented.

They also mentioned that they will be willing to mediate with the people in communities where these fractures accrue.






They listened to the Elder speak.
they listened,
 respected his words,
Silent back words plotted the fall,
here in the clouds,
as an elder speak,
men, women plot there menace,
on the soil of mother,
buss she head,
here where hawks sit on the shoulders
of wo/man.
money will come in between the families.























THIS DEVELOPMENT MONEY IS A SERIOUS BUSINESS THAT HAS GONE OUT OF HAND.

IT IS THERE AND CHECK IT OUT.

WWW.CDF.GOV.TT