Thursday, July 24, 2014

I CAN EAT WITH CHOP STICKS, NOW! - THERE IS A NEED TO INVEST IN SOCIAL ART-DESIGN...

I CAN EAT WITH CHOP STICKS.
Yes I can, spending a little time in Yokohama, I have been able to eat a whole meal, beginning to end with chop sticks; which came with my meals. I tried as much to eat an original Japanese or Asian meal as possible. When I came across a KFC, there was a Trini pride in me to buss up a snack pack, 2 piece and fries; compare it with ours. The Japanese KFC, is very American.
Here I was in the furthest I can be from home, in a space that seem locked away, through language, a space that I would have to negotiate visually and through the many information booths installed in the many malls; there were many, you will enter one from the hotel, then enter another, from another, you can enter one from the train from Tokyo, walk in another. They will go down several B1, B2, B3 and will go up to floor 5.
All this experience will happen in the delightful grace of design, design as art, sculpture, landscape, my feet, my eyes never got tired of the amazing hyper-reality of living design…..look at the gadget there for holding the doors from swinging in, their design of toilet bowl; I walked into a little toilet room and the bowl seat stood up at attention, there was a humidifier and an automatic air freshener, wow, I had the most pleasant of bowel movements, press a botton, wash meh butt.
I'm a cynic, standing in the depths of high design culture, an intense sense of design imparting human behavior, patterning how we behave and allowing for the behavior to be achieved can be totalitarian to a man coming from an unruly space as Trinidad, I will not go to Tobago, as Tobago is still away off of becoming unruly a space as Trinidad. So I had to find where the grit was, the edgy space, I had to find the crack and the creases, see the people, hear the what it all means. So I tighten up the shoe laces and took a walk, a long walk from the water front, where we were based. I spent the whole day in that walk. I reached the Yokohama Stadium, there a baseball game on, I sat there and here I started to see, the old men taking naps, a man collecting cans, walk further, the apartment came to, hanging on the on the balcony were  the daily clothes of the men and young women, who greeted us at the hotels. There were so many of them, how do they managed I ask, a young academic Japanese, Brazilian, studying Japanese migration to Brazil….he mentioned that the service sector people are very vulnerable.
I walked further, as the day got long and the feet screamed to get a rest, I turned away, started back to the waterfront, the bay, the words, kept coming back to me, that I needed to see that space in the night. I will like to see the shop that I went into, selling DVDs, the flimsy curtain that separated the porn room, from the DVD and music room. Said a lot about the space, there are soft lines marked out that when crossed you get a whole idea of how people lived. Like the little bar/restaurant at night looked like a place that will embrace many of laughter and pain, of men, drink to despair, will go home and cause much tears, love…laughter.
Sitting on the stoop of Yokohama, I wished so dearly, to still peel away a her skin to reveal behind the many layers, the many selves, the many voices. Her voice, what does she say, when he returns from work; lifting the many bags, at the hotel. he will pat, his daughter in the head, they will sit for a meal and make love to his wife, she will bid him farewell in morning, or he will make breakfast, he will stay in late; he is on the night shift, drop the daughter to school, later, he will kiss her goodbye, as she rides off to work. She will pick up daughter on her way from school, the daughter will be in school care……oh man there so many, that I will ask.
What I know there is definitely a positive and a negative in living in a space that have such a high index on social design, there must be fall out due to stress, etc. But coming from a un-ruled space where we all aware of the fall out, for not investing properly in social design; road deaths, murder, domestic violence, environmental stress, shoddy building, lack of maintenance of environment, poor education, lack of intellectual life etc. The fall out at the implementation of a social design policy, will see both our environment and our physical being transformed, it will have some fall out…will we be willing to embrace that fall out. cause even as I sit in the vulnerable of space, there is still the visibility of intelligent design negotiation, in the craft, engineering, architecture, something not visible in Trinidad and Tobago.

THERE IS A NEED TO INVEST IN SOCIAL DESIGN.

BELOW ARE PICS. ENJOY




















































































































Monday, July 14, 2014

WE BUILT A SEAT IN 83 DAYS, SO YOU CAN SIT ANYWHERE YOU DAM WELL WISH….

WE BUILT A SEAT IN 83 DAYS….SO YOU CAN SIT ANYWHERE YOU DAM WELL WISH.

Man 83 days of working on a project, leaving everything behind, getting up 5:00 a.m to head to the Carpentry Shop for 7:30 a.m. when work would begin around 8:00 a.m. We made a prototype, then we proceeded on developing the actual seat, which had many challenges, in relation to material, the wood that we got - mahogany, was curved, problem? Nah man, let's use it. In doing that each of the legs had to have its own height.

Then you have to curve the Main Back Rest, to the shape that you see, which we did by hand, all old school. We then bent the stainless steel back rest, then we put in the slots, added the stainless steel hooks, adjusted the wooden back rest to the stainless steel back rest, the stainless steel back rest to the back rest. All this by hand and eye coordination and good old-fashioned craft.  It was trial and error, throw away and do over etc…

DAT IS THE STORY……the story is of old school craft and new school technology, where men of our communities bring themselves into conversation with an artist of their communities and build, something…..this thing.   Me, I love to build, I like the hands-on things, the ability to conceptually bring something of my own into being, this is what I do when I paint, although not necessarily when I design an object.

Here was an opportunity to do just that, be hands-on, be there, with the little cuts, pushing the wood through the band saw, sanding down; ohhhhh, how I like to sand, when you run your hand along a well sanded piece of wood it feels as smooth as a baby's bottom or that of a girlfriend, or boyfriend. I was there in the 'old talks' in the Change Room, when the men will speak their mind on topics of national and personal interest. There is the workshop politics, as the workshop is situated smack in the middle of the Engineering Department of the University of the West Indies. Yep I was working in the Engineering Department Workshop, but I was miles away from all that. I was in the craft peoples' world. Mr. Powder was the engineer who gave a lot of advice, and this is how we used the stainless steel; as we were told that the wood on it's own would break. The stainless steel provides the strength to overcome the rigours of human weight dropping on it.

CONFIDENCE, 
eiiiiy by my own hand, 
by our own hands, 
we brought forth conceptualism, 
we have been able to refine it; thrust into this all too burdensome modernity. 
I have felt within me the ability to see more of me in me, 
by my hand I shall seek the material of the world and ponder its sins, 
pound their souls, 
drill open the demons, 
we shall make love on the studio floor.

83 DAYS, I have the keen confidence to open, what I have been doing and carry it one step further, as the Mr. Cadette mentioned, in machine shop - "you have to be accurate to the millimeter, in carpentry you can be off a few, it will still work…"...but what I have learnt, you can fix it, the intense critical eye is there, it has been replaced with an understanding of the possibility of re-doing.
I left out titles, so you will be able to look at the work for what it is - a process.

There is also the politics of the hand, a manifesto in the direction of innovation, which at this time in the political realm sits in a very classist position, coming from a very middle-class position. I feel that innovation can emerge when there is acknowledgement from both - the brain and the hand. Historically we are distrustful of the hand and where it came from. That is what is missing from the conversation of  the historical destruction of education.  The eventual economic future of our society will depend on the realization of the need to reclaim the hand as the primal thrust toward our new world of freedom.
OH,  this project will be exported to Holland, therefore how do we address the high cost of exporting innovative goods. Would the state support, subsidize export cost for artists. 
EXPORTING - This is an old conversation, with a new twist, I'm having now, and a conversation that will be held later, I hope in union with ACTT and other like minded people.

Now I will paint, my new project - THE TOXIC FORM, will open the doors and sweep the dust that has settled on the tips of the paint brushes, wipe away the harden acrylic, so I will see what is there. I will look at the old work and I will trash its content to make new art, my child, the baby, will come amidst  cuss words and tense fits of rage, to sudden calming, sudden orgasms…just suddenness is where I want to be, to see this thing - polyurethane bring forth life and death…

TITLE - THE SEAT-You can sit where ever you dam well please.
DIMENSIONS - 6' length x 3' wide x 4' height
MATERIALS - Mahogany, Stainless Steel, Aluminum, Plastics, Apoxy, Filler

THE MEN OF THE 83 DAYS. FROM LEFT MR. CADETTE - SUPERVISOR OF THE WORKSHOP, PRIME, KEVIN, DEAN. MISSING IS MARLON.
CARPENTRY SHOP,
ENGINEERING DEPARTMENT,
UNIVERSITY OF THE WEST INDIES, UWI.
ST. AUGUSTINE, CAMPUS.



















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