VEL LEWIS
Ministry of The Arts and Multiculturalism. The Launch of the National Registry of Artists and Cultural Workers & 2nd Symposium. “Towards a Multiculturalism Policy: A focus on the Creative Arts. Friday the 4th February 2011, Crowne Plaza Hotel. Mondiacult 82 agreement on culture, UNESCO- Culture gives man the ability to reflect apoun himself “their selves”, it is through culture that man “people” expresses themselves, becoming aware of them, recognizes his “their” incompleteness, question his “their” own achievements, seeks untiringly for new meaning and creates works through which he transcend their limitation. (Mexico).
1. A cultural policy after all is a state apparatus to understand culture for the betterment of that regimes sustenance and longevity in the power structure of a society. Let’s not fool ourselves. 2. Artist- live and work in an atmosphere of being blacklisted, be it imagines or not. There exist a politicization of our cultural institutions and forbid you run afoul of them, you are placed into a hole of animated suspension. This has created a culture of mediocrity and partisan artists “eating ah food”. 3. Education- within our cultural industry there lack the intellectual understanding and imagination of culture and it’s wide ranging meaning for us to contribute to our society in REAL terms and to the development of a democratic, evolved, creative social space. Developing the Artists- there lack a certain intellectual understanding in our artists, due to our outdated education system. This was stated at the recent Innovation Panchayat, held at the Centre for Excellence by the minister Mary King. We must look at our education system and implement a clear understanding of Ethics, Morality, History, Sociology and Philosophy. There are examples of how poor cultural management and lack of education on how art and design projects should operate within our urban and rural landscape, has led to the bastardization of the arts and created wasteful projects- The Oval Gallery, The Waterfront Gallery, Recently installed Brian Lara statue. 4. A Cultural Policy- should in the end allow for the expression of the outsider groups to be heard. A Multicultural Policy is nothing more than an apartheid system of separate but equal. In all the 13 or T.V stations, Gayelle is the only one that have a diverse representation of our society. Far less for the myriads of radio stations, galleries, the one Museum, books etc. There must be support for the 60/40 call by ACTT. 5. The National Museum and Art Gallery- A cultural policy must empower the National Museum and Art Gallery to foster debate and develop that critical thinking that will inevitably contribute to our innovation. The fast food policy, where shows are pelt up then down and disappears, of our Museum must be scraped, we must be able to contemplate its programmes, discuss openly and critically, that we can have an articulated and well grounded artists community that’s not bogged down in cynicism. 6. Economics of Art and Design- Due to this lack of education I don’t really believe that our business sector understands how artists can contribute to the development of a truly innovative industry, which after oil and gas is the next viable direction. From cocoa to chocolates, from wood to design, from metal to style, from ideas to product.
In the end our Cultural Policy should allow for critical thinking, innovation and debate to flourish amongst our artist and our people. It has been my experience that we lack an understanding of the arts, when I say that I’m an artist, or sculptor or Installation Artists. I get this puzzled look from the educated, well travelled middle class not necessarily from the working class, but that’s for another floor. The middle class ignorance and their position as technocrats and bureaucrats make me unintelligible to their limited understanding of how art should operate in our society and you’re suddenly dismissed to the underground where a lot of us do our work. Many well meaning projects are lost in journals and left in studios and in the minds of really cool artist.
This was presented to the Ministry and was taken by the rappatuers.
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Thanks for this Dean. I tired emailing them trying to get information and they were QUITE unhelpful. Never returned the email. Lame response on facebook. Fail. It's not encouraging for me, when I return home to bother GOING IN to the office to register. I still don't know why I should.
ReplyDeleteWell there is one good reason, that is visibilty. Not necessarily for the artist. But for Minstry to know that there is a community of artists and they matter.
ReplyDeletePolitically, economically and socially. Under a body ACTT we can stimulate cultural policy and through our articulation we can stimulate ACTT.
There is also the personal benifits and we all know that thats a laugh, as it's all connected to this visible social net work.
We must state where we're and let them know that the world of art has changed in Trinidad and Tobago, to some degree they are understanding that.
The reality is that as the older heads move on there is a space being created for new generation of artsits to speak their mind. It is happening at this very moment. Both at the Campus and at the National Museum and Art Gallery. The two main space that I believe that can enfluence the politics of art and design in Trinidad and Tobago.
It frustrating, yep, to be artist, but we must rage against the machine.